Nevertheless, this pre-Code musical novelty has its pleasures - notably Marjorie White (who works well with the boys) and the memorable “My Love, My Life, My All.” Polished cinematography by the great Joseph August. Without further ado, let the Golden Age of Stoogery begin!Ī rather inauspicious Columbia debut featuring Larry as the atypical lead and tiresome rhyming dialogue. Much has been written about the team over the years, but I hope this journey will provide some new insights while bringing back fond memories. Today, the entire 1934-1959 output is available on DVD and streaming.įive decades after my first Stooge sighting, I have revisited the mostly glorious Curly era with brief reviews (including a four-star rating system) of all 97 shorts. By 1996, Columbia had released all the Curly two-reelers on VHS, including several titles that eluded me during childhood. Jump ‘n the Saddle Band’s 1983 hit “The Curly Shuffle” (which peaked at #15 on the Billboard Hot 100) coincided with the home-video Stooge resurrection.
JUMPCUT ACADEMY COMPLAINTS TV
The advent of home video in the early 1980s revived my interest in Moe, Larry and Curly and made them even more accessible - particularly since they had not been shown on my local TV station for several years. Though the show went on after Curly’s debilitating stroke in May 1946, it wasn’t the same.) As I grew older, my tastes in film comedy shifted to Charlie Chaplin, Buster Keaton, Laurel & Hardy and the Marx Brothers while the Stooges faded into the background. (I didn’t encounter Shemp Howard, Joe Besser and Curly Joe DeRita until the mid-1970s and those TV viewings were relatively brief. The Stooges’ unique brand of physical humor thrived in short spurts.įrom a childhood perspective, it was “All Curly, All the Time” no matter where I moved and regardless of what TV station aired the two-reelers.
JUMPCUT ACADEMY COMPLAINTS MOVIE
A continued success on movie and television screens, the two-reel format proved ideal for the team. The Flintstones, which followed the Stooges on weekday afternoons, paled by comparison to these live-action cartoons (with sight gags and sound effects galore). Watching Moe, Larry and Curly for the first time was truly magical and I couldn’t get enough of them. I was 5 years old and the film was We Want Our Mummy - a total delight from beginning to end.
My introduction to the Stooges was in September 1969 on Kansas City station KMBC. A year after their Columbia debut, the Three Stooges were hitting their stride in the two-reel comedy field - thanks to the slapstick mastery of director Del Lord. In March 1934, Moe Howard, Larry Fine and the brilliant Curly Howard made their mark on popular culture when they entered the realm of the Columbia Short Subjects Department (headed by producer Jules White).
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